Showing posts with label Creativity in the Classroom. Show all posts
Showing posts with label Creativity in the Classroom. Show all posts
Tuesday, July 22, 2014
Children Learn through Playing
Child's play is deeply formative with learning that cannot be measured or quantified. This is true of the ways that middle and high school students learn through play also. See my earlier post (April)
"Yes, and...Embracing the Awkward" to read further about how play can influence different areas of learning.
This is all the more reason for states to disgard the current Common Core and its blizzard of tests, worksheets, micro-managed reading and writing and overall tedium.
Monday, June 16, 2014
Who are the brightest, happiest, most cooperative, most well-adjusted and resilient children...?
Dr. Peter Gray is an anthropologist who has spent decades studying the importance of play. In this Ted Talk, he shows us the ways that children who live in cultures that allow them to play freely develop into socially skilled and emotionally stable adults.
He also provides evidence that with the emphasis on school, standardized learning and organized sports, our children are not being given the necessary freedom to play, but are directed to "resume building" - and there is a greater increase in anxiety and depression.
Dr. Gray encourages us to "be brave enough to stand up to the continuous clamor of more school."
Wednesday, April 23, 2014
The Power Of Yes…In A Classroom Oasis
Imogene Drummond is my guest blogger with her observations
on the work and play that she is doing with students at San Miguel Academy in Newburgh,
NY. Far from the standardized
curriculum and tests that are being levied on public school students across the
country, in the classroom oasis that Imogene has created, she gives permission
to these special students to express their authentic intuitive selves. The results?
Non-quantifiable and…breathtaking.
Read more about how Imogene’s Divine Sparks program
ignites these students’ creativity and greater self-awareness.
BLUE AND YOU
by
Imogene Drummond
I've
said this before. Because a student
stated that he didn't like his painting, this is how
I began the third Divine Sparks Film
+ Book session with the fifth-graders at San Miguel Academy in Newburgh,
NY. I think it can be helpful to hear
this early and often.
We then watched the second chapter in Divine Sparks film, and I showed the class one of my paintings from
the film. The boys shared what they saw
in it: a crescent moon, a face, water, a
flower--and pointed out those shapes.
They asked intriguing questions, such as how long did it take to paint,
and what did I have in mind when I painted it.
I explained that I had no idea what I was going to paint. Before painting it, I'd
been near the sea, and listening to the sound of the surf. The painting was a visual expression of my
experience. I discovered later that the idea of aural inspiration resonated with some of
them deeply.
We then discussed some ideas in this chapter of the film, "Blue and
You." When asked what they thought
this chapter was about, one boy immediately said, "It's about how blue can express
different ideas
and images."
Exactly! I'm continually
impressed with how well these youngsters grasp the essence of a situation, and
articulate that essence. After
discussing what blue means or symbolizes to them, and what some of their
favorite blue things are, we then discussed how the color blue makes them feel. "Calm," "alone,"
"alive" were some of the comments.
One student said 'light blue makes him feel happy and dark blue makes
him feel sad.' That opened up a
discussion about the effects of various hues and shades of color.
It was then time to create individual art works about what the color blue means to
them. In order
to help them personally connect with this
abstract idea, we did a short meditation exercise. The class quieted down as
the boys closed their eyes, and I asked them to think about what the color blue
means to them. Then, I invited them to
open their eyes and make a painting or image using whatever materials they
chose. One boy asked, "Can I make a
sad painting?" "Yes." "Can I make a river of tears?" "Yes." What does it say about our culture that a
ten-year old needs permission to express his authentic self because he fears
his sadness may be received negatively?
"George" created a structural piece with an architectural-like
composition with various blues in rectangular
fields juxtaposed with circles--created by cleverly painting around the
diameter of upside-down plastic cups. "Esteban" constructed a 3-D painting with three ridged rows of ocean
waves--made by cutting small pieces of blue paper and taping them together to
make longer pieces, which he then sculpted into rows of waves--which he said he
made because he likes the sounds that waves make. "Henry" described his
painting as telling a story: Sailing on
a blue sea, with white clouds and the sun shining in a blue sky, splatters of
red paint in the sea indicated "new beginnings."
"Rodrigo" covered his
paper "canvas" with blue paint, constructed waves with crumpled
turquoise tissue paper, then made a 3-D boat by folding white paper, glued it
on the waves, and added a vibrant upright red 3-D fish on the water!
"Kenny" painted a bold blue sea with a scalloped horizon line
and an orange sky at sunrise/set, and starfish in the sea. "Guy" painted two large
fields of green dissected by a blue river with fish in it. This provided an opportunity to talk about
the importance of "negative shapes" in art. "Emmanuel" divided his piece
into two sections divided by a black line--on the right side, he painted
several archetypal spiral shapes, and on the left side, he painted a field of
dark blue. Several boys put their names
in the work--some overtly, and some subtly.
Another
student painted a poignant (self-portrait?) image of a child with a big orange
face streaming large tears into a river below.
I especially admire and respect this child's self-expression because it
took insight and courage to paint this, and to share it with the rest of the
class. This is what I'm aiming for! If this youngster can find a suitable creative
outlet to express his pain, he has a greater chance to circumvent expressing
his feelings in destructive ways, and the possibility to create a more
satisfying, meaningful life.
I am deeply fascinated and amazed by how
a multi-component process of inspiration, discussion, affirmation, and
availability of art supplies in a safe and conducive environment results in
individually expressive, self-empowering work!
****************
Imogene Drummond is an award-wining filmmaker, painter,
futurist, author of articles on cultural transformation, world traveler, and
former psychotherapist. Her experience, talent, and vision converge in Divine
Sparks. She has an M.F.A. from MICA (the Maryland Institute College of Art)—one
of the country’s premier art schools, and an M.S.W. from The Catholic
University of America. Due to her many painting expeditions around the world,
she was invited to join The Society of Woman Geographers.
Follow Imogene on Facebook:
www.facebook.com/divinesparksbookfilm
Visit her Divine Sparks Website:
divinesparks.com.
View her Divine Sparks Trailer:
www.youtube.com/watch?v=6VCDr0Ej1_I
*************************************
Follow Staying Strong in School on Facebook: https://www.facebook.com/pages/Staying-Strong-in-School-Jane-Nixon-Willis/471874029607025
And on Twitter: @ParentsPlaybook
And on Twitter: @ParentsPlaybook
Tuesday, April 1, 2014
Transforming the School Experience for Students
So much energy is invested in Standards and Tests -- There's a better way to introduce our children to the art of higher level thinking. Parents and Educators need to remember that school can actually be a place of joy and creativity. What?...Yes - School can be joyful. Creativity opens the door to higher level and abstract thinking in a way that no standardized curriculum can.
I wish that instead of taking State exams today, that our children were engaged with Imogene Drummond's Divine Sparks program, as these San Miguel students are in the photo above. She's my guest blogger today - and here she shares her experience working with at-risk students at San Miguel Academy in Newburgh, New York.
She demonstrates how Literacy and Creativity cultivate thinking and creative students.
DIVINE SPARKS ARRIVES AT SAN MIGUEL ACADEMY
Sparking Empowerment through Creativity
by Imogene Drummond
My Divine Sparks journey
just got a little more exciting.
Recently, I offered the first of ten Divine Sparks sessions to seventeen
fifth graders at San Miguel Academy of Newburgh, NY. Why is this exciting? Two reasons:
because San Miguel is a visionary school, and because we share the same
goal--to empower young people.
To understand my recent
experience, it’s important to understand San Miguel’s location. As the fourth most impoverished urban center
in the U.S., and the ninth most violent, Newburgh was dubbed the “murder
capital of NY State” by New York Magazine.
San Miguel Academy, an independent, faith-based, fifth to eighth grade
middle school for boys from under-served families in the City of Newburgh, uses
education--and a thoughtful, nurturing, safe environment--to break the
pervasive cycle of poverty and violence in which these boys are raised. Basically, San Miguel Academy is trying to
keep these children from being used as drug mules, and to give them the skills
and opportunities for a totally different kind of life. This is big picture
stuff.
To me, San Miguel is
special because its vision remains intact throughout its multi-layered
implementation. Its president, board,
and faculty clearly are doing a lot of things right. Their sharply-etched thoughtfulness
shows. For example, surrounding the
front door is printed in large, yellow and blue, capital letters “The Street
Stops Here.” To an artist who believes
in the ability of art, symbols, and design to create change, this signage is
powerful. That these words are written
on the “open” transparent medium of glass versus the opaque material of a
barrier, adds to the transformative experience of walking through the entrance.
Prior to my presentation
(during the lunch hour), I chatted in the hall with Fr. Mark Connell and Mrs.
Kerry DiMeo, San Miguel’s president and fifth grade teacher, respectively. An unusual thing happened. On three separate occasions, a boy walked up
to me, reached out his right hand, looked me in the eye, and confidently said,
“Hello. My name is [Angel, R.
N.]. Welcome to San Miguel.” and
briefly joined us three adults in conversation. Well! I was surprised and impressed by these students’ politeness, confidence,
and assertiveness. Being from the plug-and-play
generation, I was taught as a child not to speak to adults unless spoken to.
That San Miguel teaches its boys to speak up, be polite, positive, and
proactively welcoming, struck me--like the sign surrounding the door--as
significant.
So, now you have an idea
of where Divine Sparks will be the next ten weeks! Let me briefly introduce this innovative
multimedia that I wrote, directed, and produced. Divine Sparks Film + Book sparks empowerment
through creativity. Three components
combine in this holistic project to ignite and nurture the child’s creative
spark. The award-winning 30-minute film
offers inspiring visual prompts. The
colorful, interactive book delivers an exciting toolkit with stimulating ideas,
fun art activities, and delightful exercises that help students access their
inner artist. The project employs an
innovative approach often using one’s own story/history/personal mythology as
source material. Each session involves
three activities: View, Do, and
Discuss.
In introducing Divine
Sparks to the students, I shared my goal to help them develop their individual
creativity, versus teach them art.
First, we discussed what they think “creativity” is. Their ideas ranged from “being about line and
shape,” to “thinking outside the box,” to “being about imagination.” I was impressed by their ability to think abstractly. This
led to a discussion about how creativity can help us be happier, more satisfied
with our lives, learn better, and sometimes even heal physically. In discussing how creativity can help us
become empowered and what “empowered” means, one boy said it means “helping us
develop as whole people.” Now, I was
even more impressed with their abstract thinking!
We then watched the
30-minute film, a whimsical story of transformation and wonder, followed by a Q
& A. I asked my usual questions:
What were their favorite parts of the film?
What did they think the film was about?
What did they think the sparks meant?
A dozen or more hands shot up after each question. Though the term is never used in the film,
when one boy said he thought the film was about “the creative spark in us,” I
just about levitated!
Inspired by the film, the
boys then did an art activity, “Visualize Words.” Each student chose two favorite words (from a
page in the book--see photo), and painted one word as the background and one as
the subject. A vigorous explosion of
activity ensued with lots of paint being drawn, brushed, swooshed, smeared, and
sponged. One child said woefully “I
messed up.” That was my clue to share my
mantra: “There is no bad art, you can’t mess up.” “But,” I quickly added, “you can start over.” To which he immediately said, “Can I start
over?”
Several boys painted outer
space, making their backgrounds black--always a strong color! Others depicted snakes flying over waves, a
dark moon hanging above the ocean, and lyrical stars that look like lilies in
front of the sun. When discussing each
boy’s art work, one boy said he chose his two images because they were the only
two things he knew how to draw.
Hopefully, ten weeks from now, he won’t think that! I hope he, and his fellow students, will come
to feel increasingly equipped to embark on new paths that are their life, as
they leave the street in their rear view mirror.
****************************************
Imogene Drummond is an
award-winning filmmaker, painter, futurist, author of articles on cultural transformation,
world traveler, and former psychotherapist. Her experience, talent, and vision
converge in Divine Sparks. She has an M.F.A. from MICA (the Maryland Institute
College of Art )—one of the country’s premier art schools, and an M.S.W. from
The Catholic University of America. Due to her many painting expeditions around
the world, she was invited to join The Society of Woman Geographers.
Find her on Facebook:
And her Divine Sparks Website:
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